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The King's Trust 50th Anniversary Auction Featuring The Phil Collins Archive

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Over a career spanning five decades, Phil Collins accumulated artifacts that few fans will ever have seen up close — stage clothes from defining performances, handwritten working lyrics, signed instruments, and personal correspondence that reveals the man behind the music. For the first time, hundreds of these items will be offered for sale at a landmark benefit auction in London, with all proceeds going directly to The King's Trust.
A 2026 Rock & Roll Hall of Fame Inductee, the collection spans the years 1980 to 1995 — arguably the most commercially explosive stretch of Collins' solo career and his tenure fronting Genesis. Each lot has been drawn from Phil and Jill Collins' personal archive and comes with clear provenance, direct from the artist.
"I'm very proud to have been involved closely with The King's Trust for over 40 years and I hope we can raise a lot of money for the cause."
- Phil Collins
Jill Collins, entrepreneur and philanthropist — has played an instrumental role in organizing and curating the archive. “This auction is about celebrating Phil’s musical legacy while raising awareness and funds for The King’s Trust. I came up with the idea late last year, and it felt like the ideal moment,” she said. “Phil was 100% behind it, as long as the proceeds went to The King’s Trust, which is celebrating its 50th anniversary — and Phil is celebrating 40 years since becoming its first ambassador and later a trustee.”
“Phil and I realized we had a treasure trove of items spanning the years 1980 to 1995, and that this would be the ideal opportunity to share them with fans who will become the caretakers of Phil’s memorabilia while helping support such a worthwhile cause,” Jill added. “By investing in the dreams of the young people The King’s Trust helps, we are investing in our future. It is truly a win-win in my opinion.”
Highlights from The Phil Collins Archive
A patterned button-down top and pair of khaki cargo pants, stage-worn by Phil Collins during his historic performance at the Live Aid concert at Wembley Stadium in London, England, on July 13, 1985.
Collins made history at Live Aid by becoming the only artist to perform on two continents in one day. He played at London's Wembley Stadium, took a Concorde flight to Philadelphia, and performed at JFK Stadium, solo and with Eric Clapton and Led Zeppelin.
He famously quipped about his 1985 Live Aid appearance: "Why am I playing at both Wembley and Philadelphia? Because I'm mad, that's why."
Live Aid was a charity event held simultaneously in the UK and the USA, organized by Bob Geldof and Midge Ure to raise funds for the ongoing famine in Ethiopia. The concerts were billed as the global jukebox and drew over 170,000 people in London and Philadelphia, inspiring similar events around the world. Live Aid had an estimated television audience of 1.9 billion across 150 nations, nearly 40% of the world's population at the time.
Signed in Collins's own hand with an illustrated self-portrait at the kit and an inscription: "This drum was used by me during the 70's + 80's / Be nice to it!"
Two sheets of working lyrics, on lined notebook paper, to the song “That’s All” by Genesis, handwritten by Phil Collins in black ink.
The working lyrics include variations from the final version including “Just as I think it’s going alright / I found out I’m wrong, when I thought I was right / It’s always the same, kind of a game to me,” as opposed to the final version: “Just as I thought it was goin' alright / I found out I'm wrong, when I thought I was right / It's always the same, it's just a shame, that's all.”
Other variations include, on this version: “I could leave but I won’t go / Though my heart might tell me so / It’s an odd trick but it still works every time,” as opposed to the final version: “I could leave, but I won't go / Though my heart might tell me so / I can't feel a thing from my head down to my toes.”
Released in October of 1983, “That’s All” served as the second single from the band’s self-titled album, Genesis, and became their first top 10 hit in the United States.
A striped two-piece suit screen-worn by Phil Collins on the Season 2 Episode 12 of the smash hit TV Show Miami Vice. The episode of the iconic series titled, “Phil the Shill,” aired onDecember 13, 1985. Collins' music was integral to the show, most notably the iconic, dialogue-free use of "In the Air Tonight" in the pilot episode.
A Willi Smith design, grey wool tweed, double-breasted overcoat, worn by Phil Collins in the 1993 music video for “Both Sides Of The Story.”
A short-sleeved, abstract print button-down shirt, worn by Phil Collins in a 1985 photography session taken by Lynn Goldsmith during No Jacket Required era.
A pair of “Nino Cerruti” striped dress pants, stage-worn by Phil Collins on multiple occasions, including during a performance with Genesis in support of their album Invisible Touch at The Brendan Byrne Arena (Meadowlands Arena) on May 30, 1987, in East Rutherford, New Jersey; and on stage in New York, NY, circa 1983.
A letter, handwritten by Phil Collins on floral stationery, to Beat Magazine, which reads: “I apologize for the notebook, it is my wife's!!! Thanks again for your friendliness on our last visit. Enclosed are a couple of pics of me which hopefully you could include in the drummer's book. The playing picture is not very recent, but it’s the only one I could get hold of quickly. My cymbal set-up carries so much that I’ve just put down a cymbal setup I use more than others. Also enclosed are the albums that I have played on, maybe you could use these instead of any prepared information, as there’s quite a lot! I would be honored to appear in the book, so I hope everything’s of good enough quality. Thanks again, Phil Collins.”
The back of the letter shows the list of albums played on by Collins, as mentioned in the letter, with stars beside “The Best Ones,” according to Collins.
Together with the two original black and white photographs mentioned by Collins in the letter, with the annotated cymbal setup, drawn by Collins on the back of a photo in black ink.
A pair of striped suspenders, stage-worn by Phil Collins on multiple occasions, including at the Rosemont Horizon, Rosemont, Illinois, November 11, 1983; and in 1983 at Madison Square Garden in New York City, NY.
A Remo drumhead, signed in black marker by Phil Collins: “Thanks for your generosity! Love, Phil Collins,” with a doodle of a stick figure playing the drums.
A striped “Phil Collins” logo necktie, stage-worn by Phil Collins on multiple occasions, including in 1982 at the Perkins Palace in Pasadena, California; during an interview at MTV Studios, New York, New York, December 8, 1982; and on stage in Chicago, IL on December 12, 1982. Includes an original 11.25 x 14 inch photograph, from Collins' collection, featuring the singer wearing the tie on stage.
A Grammy Award nomination certificate which reads: "The National Trustees of the Academy of National Academy of Recording Arts and Sciences, Inc. Present this Certificate to / Philip Collins, Ltd. / Publisher of the Grammy Award-Winning Composition / Two Hearts from ‘Bruster’ (By Phil Collins & Lamont Dozier) / In the Category of: / Best Song Written Specifically For a Motion Picture of Television / For the Awards Year 1988.”
As well as creating the “Two Hearts” for the film’s soundtrack, Collins played the lead role of the great train robber, Buster Edwards.” “Two Hearts” Reached #1 on the Billboard Hot 100 and Adult Contemporary charts in early 1989, with worldwide success including #6 in the UK.















1. 1993 “Both Sides Of The Story” Music Video-Worn Tweed Coat, 2. Signed and Illustrated Remo Drumhead, 4. Handwritten Letter to “Beat” Magazine with Annotated Original Photographs, 7. 1988 “Two Hearts” Grammy Nomination Certificate, 9. 1985 Photo-Worn Button-Down Shirt, 10. 1987 Stage-Worn Striped Pants, 11. 1985 “Miami Vice” Screen-Worn Pin Stripe Suit, 13. 1982 Stage-Worn “Phil Collins” Striped Tie with Photo, 14. 1983 Stage-Worn Suspenders, 15. Genesis “That’s All” Handwritten Working Lyrics,
Related Article
Press Day at The Peninsula London | The King’s Trust 50th Anniversary Auction: Featuring the Phil Collins Archive
A first look at the once-in-a-generation collection, generously donated by Phil and Jill Collins in support of 50 years of The King’s Trust, coming to London this November.

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