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February 7, 2025
A typed letter from Leonard Cohen, dated May 29, 1963 from "Hydra, Greece" addressed to Corlies W. Smith, Cohen's editor at The Viking Press Inc., in New York City featuring a number of ink drawings in Cohen's hand including the oil lamp he references in the closing of the letter, a medusa head, naked woman, ancient horse figure, crucifix, fig leaf on naked body and an eye.
The letter is addressed "Dear Cork" and opens with a list of corrections for his book The Favorite Game that he was struggling to get published at the time. He assumes "it's probably too late, but I discovered a few more corrections. If they aren't made it won't destroy the book for anyone, but maybe you can do something with the first one at least."
He relays a story about "Ugly American" Bill Lederer and his "Republican pretty wife" who shared that Lederer had had "cured himself [of stuttering] ten years ago but he couldn't stand the loss of sympathy so he resumed the affliction with a new and jealous intensity. I was certainly rooting for him as he read me his verses which are something like rhymeless Kipling and include all the Victorian Vices."
He closes about "much madness" in his life "writing propaganda for the Quebec Liberation Front, growing canubis [sic] indica, hitting children, swimming too long underwater, dieting, victimized by Ray Charles..." Together with the carbon file copy of Cork Smith's response to Cohen's letter dated June 3, 1963 in which he closes "You should stay away from Ray Charles, a most corrosive influence."
8 1/2 x 11 inches
PROVENANCE: From The Collection of Cohen's Viking Press Editor Cork Smith
A Green Apica notebook that offers a glimpse into his creative process and personal musings with front cover inscribed in Cohen's hand "Jan 21, 2007." The notebook contains 76 pages of notes, poems and drafts of lyrics in Cohen's hand, many pages with content on recto and verso approximately 49 leaves.
Notable entries include: two pages of drafts for “Treaty” from You Want It Darker and seven pages of drafts for “It’s Torn” from Thanks for the Dance. The notebook also includes unpublished poems and lyrics, such as a reflective piece about the value of Cohen’s paintings and songs: “if there were not paintings / in the world / mine would be very important / same with my songs / since this is not the case / let us make haste to get in line / well towards the back….I call my work / Acceptable Decorations.”
There is a verse from “Anyhow” and other lines that would later appear on Cohen's 2012 album Old Ideas; “I dreamed about you baby / You were wearing half your dress / I know you’ve got to hate me / But could you hate me less.” Additional notes include a poem about Anjani, contacts, email addresses and phone numbers with additional entries dated to Montreal, July 2007.
In addition to the fact that this notebook contains a poem dedicated to Anjani Thomas, this notebook holds personal significance to Anjani as it also contained a playful ledger of the many bets and debts the two shared—though the stakes, however high, were never collected. One example reads, "$100 bet / Anjani says / I will never hear / "Half The Perfect World" / in a bar or restaurant / Leonard says: / you will / Leonard won!!"
Cohen kept notebooks, dating them chronologically for decades often referring back to them like his own personal library of thoughts and ideas. This is significantly the only known Leonard Cohen notebook in private hands, with all others housed in the Cohen Family Trust Archives.
From Anjani:
"Perhaps the most unusual item is the notebook we shared containing snippets of Leonard’s verses in the works, a poem for me, and a list of our bets and debts. We used to bet on any number of things and the stakes were ridiculously high but I never collected on them. We'd bet on things like whether or not Phil Spector would go to jail, and I said he would. This is the only notebook of Leonard’s in private hands outside of the Cohen Family Trust Archives, and I imagine those will never be available for purchase."
4 1/4 x 5 3/4 inches
PROVENANCE: From The Collection of Anjani Thomas
A single page, typed by Leonard Cohen with handwritten notation in Cohen's hand across the top of the page that reads, "Sent this To Roland Gant." Gant spent his publishing career in London working briefly for Secker and Warburg in the 1960s, likely in 1963 when they stepped up to published Cohen's first novel, The Favourite Game.
Cohen began working on the novel, originally titled Beauty at Close Quarters, after receiving a $2,000 Canada Council grant in 1959. This grant allowed Cohen to live a modest life in London and on the Greek island of Hydra while he wrote. Upon returning to Canada in 1960, he submitted the manuscript to his publisher, McClelland and Stewart, who rejected the manuscript suggesting substantial revisions without guaranteeing publication.
Secker and Warburg agreed to publish the work in October of 1963, but Cohen had to significantly reduce the length of the manuscript to create a more concise narrative. This page, sent to Cohen's Viking New York editor Cork Smith, indicates that he sent this humorous and fantastical "biography" to Gant in London. In addition to the biography Cohen lists his then published works Let Us Compare Mythologies and The Spice-Box of Earth, with a list of people that he felt could help below. Irving Layton's name leads the list with other novelists, critics and television personalities following.
The final lines of Cohen's biography are among the most amusing reading, "In Montreal, where I always return, scene of the steep streets which support the romantic academies of Canadian Poesy in which I was trained, seat of my family, old as the Indians, more powerful than the Elders of Zion, the last merchants to take blood seriously. I accept money from governments, women, poem sales, and, if forced, from employers. I have no hobbies."
8 1/2 x 11 inches
PROVENANCE: From The Collection of Cohen's Viking Press Editor Cork Smith
A black cotton Greek fisherman’s cap with black leather interior sweatband, braid and embroidery embellished brim. The cap belonged to Leonard Cohen who gave it to Irving Layton in 1964. No size present.
From Aviva:
"This Greek fisherman’s hat was what Leonard used to call his “magic cap,” that is, the cap he said he always wore when we wrote his best songs. When Irving, who loved these caps, also started buying them on our annual summer treks to Lesvos, first stopping off in Hydra, complained to Leonard that they didn’t inspire him to write songs too, Leonard gave him his old battered salt-stiffened cap which, he said, had inspired him enough and now needed to be passed on. Irving never actually wore this particular cap but kept it for years in the back of his desk drawer to be discovered in an old box after his death by our son, David."
interior circumference of sweatband 22 inches
PROVENANCE: From The Collection of Aviva Layton
A custom created Unified Heart symbol stick pin in circular design, done in gold, 6.6 grams. Anjani has shared that this 18k gold pin was a one-off custom creation, a prototype of sorts that Leonard Cohen had made by a local jeweler. He thought it would be a good product to have manufactured to sell at his concerts, until Anjani told him that very few men dress formally these days wearing suits with lapel pins. They were never put into production and this remains the only one that Cohen had made.
Kee gold testing for 18k gold, the stick pin stopper in 14k gold
Overall Length: 2 1/4 inches
PROVENANCE: From The Collection of Anjani Thomas