JULIEN’S AUCTIONS PROUDLY ANNOUNCES “PROPERTY FROM THE LIFE AND CAREER OF DON McLEAN” AN EXCLUSIVE AUCTION TAKING PLACE LIVE IN NEW YORK CITY ON FRIDAY, NOVEMBER 11TH AND STREAMING ONLINE AT JULIEN’S LIVE.
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The premier auction – celebrating the 50th Birthday of McLean’s musical touchstone “American Pie” – will feature over 90 guitars from McLean’s personal collection, the original handwritten and annotated lyrics to his song, “Vincent (Starry, Starry Night),” and numerous examples of Stage and Album Cover-Worn Clothing, Vintage Watches, Jewelry, Knives, Western Gear, and More!
A Portion of Proceeds will Benefit the Don McLean Foundation
Highlights from the collection include…
- A ribbed crimson shirt, worn by Don McLean on the front and back sleeve of his iconic 1971 album American Pie. In his autobiography Don McLean: American Troubadour, McLean reminisces about the day the cover shoot took place: "It was early 1971 and we were in the early stages of putting the elements for the second album together when Mediarts sent me out to Los Angeles to do some cover shots with George Whiteman, a fashion photographer and portrait photographer. If I hadn't already known he was successful, the parade of models through his waiting room and the Rolls Royce Silver Cloud parked in his driveway would've told me. After we introduced ourselves, he said, 'Come on, let's go paint your thumb.'" Today the album is recognized for its cultural significance and enduring impact and for its iconic image of McLean donning the shirt and showing his hand with his thumb painted as the American flag held up.
- A 1955 Gretsch Ukulele, the first musical instrument ever owned by Don McLean, gifted to him by his parents for Christmas in 1955. The ten-year-old McLean had seen Arthur Godfrey playing a ukulele on television and decided it would be easy enough to learn to play since it only had four strings but wanted it to look more like a guitar. In his autobiography Don McLean: American Troubadour, he recalls customizing the ukulele: “I saved my money and went to the House of Music and bought a set of cheap guitar tuners, cut them in half, and screwed them on, very badly, on my Dad’s workbench.”
- A blue and white striped shirt stage-worn by Don McLean on the cover of his debut album Tapestry as well as during multiple performances, including a live on-stage concert performance with folk legend Pete Seeger.
- A 1929 Martin 000-28 herringbone acoustic guitar acquired by Don McLean in Santa Monica, California during the 1970s, and used exclusively by him from circa 1971-1975. Described by McLean as his “number one guitar for a long time,” this beautiful vintage instrument was used extensively by McLean while touring in the U.K., including all of the recordings that would go into his 1976 first double live album, Solo and during the recording of his 1974 studio album, Homeless Brother.
- A custom dijon yellow Nudie's brand shirt, worn by Don McLean on the cover of his 1976 double live album Solo.
- A custom Nudie's brand shirt, stage-worn by Don McLean while performing live in concert on February 15, 1974 at the Grand Gala in Amsterdam, Netherlands.
- A 1957 Martin D-28 acoustic guitar favored by Don McLean for special live performances throughout the 1980s, including during his appearance at Carnegie Hall backed by The Jordanaires.
- A tan felt Restitol brand western hat signed and worn by Don McLean during an April 1980 photoshoot at his home in Garrison, New York, with one of the photos later being featured on the cover of the songbook titled The Songs Of Don McLean.
- A pair of custom-made western boots featuring a green toe, crown, and top trim, as well as a yellow shaft with a bird and floral design in blue, purple, and red. Signed "Don McLean" in black marker in the interior. Also written in the interior in red ink reads, "McLean," as well as "4" in black ink.
- A vintage pair of Ricardo brand western spurs with Cowperson Tack brand leather straps, from Don McLean’s ranch.
- A pair of Gucci brand GG0872S sunglasses owned and worn by Don McLean, with brass frames and green lenses.
- A diamond and 14k gold ring.
- An Edward H. Bohlin brand hand-tooled leather belt, studded with hearts and medallions and bearing a sterling silver buckle monogrammed with McLean's initials "DM.”
- A Randall brand survival knife with a 7.5-inch blade, with original leather sheath and sharpening stone, featured in McLean's autobiography Don McLean: American Troubadour (The Russ Cochran Company, 2012).
- A Bohlin brand sterling silver money clip bearing a raised cowboy boot with spurs design, with original pouch and box with paperwork.
- A Martin D-45 acoustic guitar used extensively by Don McLean while on the road, including during his guest performance of “American Pie” to close out the 1997 Garth Brooks free concert in Central Park.
- Don McLean’s Oyster Perpetual Datejust wristwatch by Rolex.
- Don McLean’s original American-made Schwinn brand Mark II Jaguar bicycle in opalescent red.
- A 2004 Gibson J-185 acoustic guitar gifted to Don McLean when he was inducted into the Songwriters Hall of Fame that year.
- A hand-tooled leather horse saddle, custom-made for Don McLean by Dave Clowes of Dave's Saddle & Tack, bearing McLean's monogrammed initials on the seat back and each back corner with a matching pair of hand-tooled leather saddle bags, monogrammed with McLean's initials.
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Born October 2, 1945, Don McLean developed an early love for music while listening to records and the radio at his family’s home in New Rochelle, New York. While McLean gravitated towards popular artists from Elvis and Buddy Holly to Nat King Cole and Frank Sinatra, it was the music of the folk revival – which he discovered via the landmark 1955 live record album The Weavers at Carnegie Hall
– that would leave the greatest impression on him as a songwriter, singer, and instrumentalist. As a teenager, McLean began making himself known in the folk music circle playing with the likes of Erik Darling and was eventually signed by Harold Leventhal Management, whose roster included celebrated folk artists such as Woody Guthrie and The Weavers and actor Allen Larkin. During the mid-60s, McLean became one of the young troubadour luminaries of the American folk music revival movement, performing at storied clubs and coffee houses across the country from The Bitter End and Gaslight Café in New York, the Newport Folk Festival, The Cellar Door in Washington, D.C., The Main Point in Philadelphia, the Troubadour and Ash Grove in Los Angeles and college campuses, and touring with Steppenwolf, Three Dog Night, Ten Wheel Drive, Blood Sweat and Tears, Lauren Nero and Pete Seeger, whom he joined with on the Sloop Clearwater as a crew member of the vessel that traveled up and down the east coast, performing concerts at each port they visited, sending an environmental message of distress to the nation.
In 1969, McLean scored his first Billboard Hot 100 singles, “Castles in the Air” with the flipside “And I Love You So,” from his debut album Tapestry
. “And I Love You So” became the most recorded song ever written by Don McLean with over 50 versions recorded. But it would be his next album American Pie
that would rocket McLean’s career as an international superstar with its titular single becoming a worldwide phenomenon and entry into the American lexicon. The mythic eight-minute-long song with its poetic phrase, “the day the music died,” in reference to the tragic 1959 plane crash that took the lives of rock legends Buddy Holly, The Big Bopper and Ritchie Valens, gave voice to his generation’s disillusionment of American society and a loss of innocence as the tumultuous Sixties gave way to the uncertain Seventies. The smash hit single was Number One on the U.S. Billboard Chart for four weeks in 1972 and topped the charts in the UK, Australia, Canada, and New Zealand. The album was Number One in the UK for 7 weeks in 1972, and in the UK charts for 53 consecutive weeks.
received Grammy nominations for Album of the Year, Best Pop Vocal Performance (Male), Record of the Year, and Song of the Year and the album’s second single “Vincent (Starry, Starry Night),” an emotional tribute to the artist Vincent Van Gogh, charted in the U.S. and the U.K., and ranked Billboard’s Top 100 songs for the year. McLean was the inspiration of another classic hit single, “Killing Me Softly with His Song" by singer/songwriter Lori Lieberman, who recorded and released the song after watching McLean perform at the Troubadour in Los Angeles in 1971. Roberta Flak’s 1973 version of the song was a Number One hit in the U.S., Australia, and Canada and charted in the UK Singles Chart, earning her Grammys for Record of the Year and Best Female Pop Vocal Performance in 1974. In 1996, the Fugees’ version sung by Lauryn Hill on lead vocals went to Number One in twenty countries, earning them the Grammy for Best R&B Performance for a Duo or Group. Both versions by Roberta Flak and the Fugees were placed in Rolling Stone’s
500 Greatest Songs of All Time list in 2021.
Throughout the rest of ‘70s, McLean would sell-out concert shows worldwide famously performing at venues such as Albert Hall, Carnegie Hall, Sydney Opera House, and London’s Hyde Park, recorded the albums Don McLean, Playin’ Favorites, Prime Time
and produced his other classic hits “The Pride Parade,” “Mountains of Mourne” and his rendition of Buddy Holly’s “Everyday.” His album Chain Lightning
recorded in Nashville with backing vocals from Elvis Presley’s Jordanaires, integrated country music into his diverse sound of rock and roll and folk and produced the single “Crying” which rocketed to Number Five in the U.S. and Number One in the rest of the world. In the 1980s, McLean charted with “Since I Don’t Have You,” a new recording of “Castles in the Air,” “It’s Just the Sun” and released the 1987 country music album Love Tracks
which produced the U.S. and Australia chart toppers “Love in My Heart,” “Can’t Blame the Wreck on the Train,” and “Eventually.”
With the 1990s-2000s came a resurgence for McLean and the popularity of “American Pie” – as his signature song broke the U.K. Top Ten and led to several famous performances including Top of the Pops
in 1991 and his appearance alongside Garth Brooks and Billy Joel before an audience of over a million in New York’s Central Park. “Weird Al” Yankovic released his Star Wars
-themed parody of “American Pie,” “The Saga Begins,” and in 2000, Madonna recorded a cover version of the song that charted Number One in both the U.K. and the U.S.
In 2001, “American Pie” was voted one of the top five “Songs of the Century” by the Recording Industry Association of America and the National Endowment for the Arts whose list includes veritable landmarks, “Over the Rainbow” by Judy Garland, “White Christmas” by Bing Crosby, “This Land Is Your Land” by Woody Guthrie and “Respect” by Aretha Franklin. Don McLean was the only artist who wrote and sang his own song on that list. In 2002, the song was inducted into the Grammy Hall of Fame and in 2004, McLean himself was inducted into the Songwriters Hall of Fame. “American Pie” held the record as the longest song ever to reach Number One for almost 50 years until Taylor Swift's "All Too Well (10 Minute Version)" broke the record in 2021.
In 2012, the life and career of McLean was celebrated in the PBS documentary film Don McLean: American Troubadour
produced by four-time Emmy Award-winning filmmaker Jim Brown. Other achievements and accolades bestowed upon McLean include: a BBC Radio 2 Folk Awards Lifetime Achievement Award in 2012, the 2017 designation of “American Pie” as a “culturally, historically or aesthetically significant” sound recording in need of permanent preservation by the Library of Congress, the Recording Industry Association of America (RIAA) plaques for gold, platinum, and multi-platinum sales in the U.S. and seven other countries such as Australia, France and the UK, a star on the Hollywood Walk of Fame and more.
McLean’s musical discography has been recorded by artists such as Garth Brooks, Perry Como, Drake, Josh Groban and George Michael and lionized in pop culture with the appearances of “American Pie” in the Avengers installment film, Black Widow
and “And I Love You So” at Prince Harry and Megan Markle’s wedding. In 2020, he released his new album, Still Playin’ Favorites
under his new contract at Time Life with whom he released 11 albums containing 173 tracks.
The 50th anniversary of “American Pie” coming this September 2022 has been feted with a new version of the song (recorded with the a cappella group Home Free) which held the Number One spot on the country music video charts, a new children’s book, and a documentary from Paramount +: The Day the Music Died: The Story of Don McLean’s American Pie
, which explored the genesis and significance of McLean’s signature song as well as the ongoing analysis and debate over its lyrics. In celebration of this milestone, McLean will embark on a world tour with an extensive run of concerts in the U.S., the UK, Scandinavia and more.
Special exhibitions in Europe and the U.S. for the public to view highlighted items prior to the auction will be held at The Museum of Style Icons in Newbridge, Ireland from October 6th-November 3rd and at the Hard Rock Cafe New York November 7th-November 13th.
“Julien’s Auctions is honored to present this esteemed collection of one of the most influential singers and songwriters of our time, whose artistic genius and poetry defined America, Don McLean, we are delighted to offer Mr. McLean’s most precious artifacts and personal mementos from his illustrious life and career during this momentous occasion of the 50th anniversary of the release of his magnum opus, American Pie.”
– Darren Julien, President/CEO of Julien’s Auctions
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NEW YORK PUBLIC EXHIBITION & LIVE AUCTION LOCATION
Hard Rock Cafe New York
1501 Broadway - Times Square
New York, New York 10036
NEW YORK PUBLIC EXHIBITION (HIGHLIGHTS)
Tuesday, November 8th – Friday, November 11th
Daily: 11:00 a.m. – 9:00 p.m. Eastern Time
Free to the Public
LIVE & ONLINE AUCTION
Icons & Idols: Rock 'N' Roll: Property from the Life and Career of Don McLean
Friday, November 11th
Session I (Lots 1-375): 10:00 a.m. Eastern Time
Icons & Idols: Rock 'N' Roll: Property from the Archives of Steve Vai
Saturday, November 12th
Session II (Lots 376-718): 10:00 a.m. Eastern Time
Icons & Idols: Rock 'N' Roll
Session III (Lots 719-981):
Icons & Idols: Rock 'N' RollFor Inquiries, Please Contact:
Sunday, November 13th
Session III continued (Lots 982-1578): 10:00 a.m. Eastern Time
Phone: (310) 836-1818 | Fax: (310) 742-0155